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New Collection of Studies
Sheetmusic to print
38 sheet music found
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1
26
New Collection of Studies
New Collection of Studies
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Cello
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Joachim Stutschewsky
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New Collection of Studies
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Schott Music - Digital
#
SheetMusicPlus
Cello - easy to intermediate - SKU: S9.Q1485 1st and 2nd positions. Easy to moderately difficult. Composed by Joachim Stutschewsky. This edition:...
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Cello - easy to intermediate - SKU: S9.Q1485 1st and 2nd positions. Easy to moderately difficult. Composed by Joachim Stutschewsky. This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q1485. Published by Schott Music - Digital (S9.Q1485). German • English • French.
$16.99 ≈
15.85€
New Collection of Studies
New Collection of Studies
#
Cello
#
ADVANCED
#
Joachim Stutschewsky
#
New Collection of Studies
#
Schott Music - Digital
#
SheetMusicPlus
Cello - difficult - SKU: S9.Q1488 For advanced students. Difficult. Composed by Joachim Stutschewsky. This edition: Sheet music. Auswahl aus der ...
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Cello - difficult - SKU: S9.Q1488 For advanced students. Difficult. Composed by Joachim Stutschewsky. This edition: Sheet music. Auswahl aus der klassischen und neueren Studienliteratur für Violoncello mit zahlreichen zeitgenössischen Originalbeiträgen in 4 Heften. Downloadable. Op. 4. Schott Music - Digital #Q1488. Published by Schott Music - Digital (S9.Q1488). German • English • French.
$16.99 ≈
15.85€
New Collection of Studies
New Collection of Studies
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Cello
#
INTERMEDIATE/ADVANCED
#
Studies
#
Instructional
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Joachim Stutschewsky
#
New Collection of Studies
#
Schott Music - Digital
#
SheetMusicPlus
All lower positions including thumb positions. Moderately difficult to difficult. Composed by Joachim Stutschewsky (1891-1992). This edition: Sheet mu...
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All lower positions including thumb positions. Moderately difficult to difficult. Composed by Joachim Stutschewsky (1891-1992). This edition: Sheet music. Downloadable. Op. 3. Schott Music - Digital #Q1487. Published by Schott Music - Digital
$16.99 ≈
15.85€
New Collection of Studies
New Collection of Studies
#
Cello
#
INTERMEDIATE/ADVANCED
#
Studies
#
Instructional
#
Joachim Stutschewsky
#
New Collection of Studies
#
Schott Music - Digital
#
SheetMusicPlus
3d to 6th positions without thumb positions. Moderately difficult. Composed by Joachim Stutschewsky (1891-1992). This edition: Sheet music. Downloadab...
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3d to 6th positions without thumb positions. Moderately difficult. Composed by Joachim Stutschewsky (1891-1992). This edition: Sheet music. Downloadable. Op. 2. Schott Music - Digital #Q1486. Published by Schott Music - Digital
$16.99 ≈
15.85€
Unusual Studies
Unusual Studies
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Guitar
#
INTERMEDIATE
#
Studies
#
Oleg Boyko
#
Unusual Studies
#
Oleg Boyko
#
SheetMusicPlus
Guitar - Intermediate - Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by...
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Guitar - Intermediate - Composed by Oleg Boyko. 21st Century, Method, Etudes and Exercises, Repertoire, Classroom. Solo Part. 45 pages. Published by Oleg Boyko
There is plenty of music sheet for classical guitar of various styles, directions and levels of difficulty. There is also enough methodical literature for all tastes. However, every year there are appearing new schools, methodical collections and exercises. That?s why the art of playing classical guitar is not standing still.
During my pedagogical activity rather often I faced the problem of searching or creating small exercises for a particular technique and solution of a particular problem. What didn?t suit me in the existing studies? First of all, the monotony of technical material (the accent only on the left hand technique of a performer, while the concentration of sound control is mostly in the right hand; a limited quantity of technical methods: arpeggios, chords, passagework technique). Secondly, it?s an amount of musical material. As a rule, the main efforts were aimed to memorize the text, which distracted from the very purpose of etudes, the work on a certain type of technical difficulties.
That is how the collection «Unusual Studies» appeared.
What is their «singularity»?
The collection is conditionally divided into several sections in the order of increasing the complexity of material, and it concludes with three «Concert Studies». They are distinguished by a more developed emotional atmosphere and rather high level of complexity and size. These studies require a certain level of preparation and can diversify a performer?s concert program. Nevertheless, they are only an addition to the basic material, which is focused primarily on the elementary and intermediate levels of training.
When it comes to the ?singularity?, focus is shifted to the right hand, with the detailed fingering of the right hand. The fingers «p» and «a» are introduced more actively, paying attention to the alignment of their sound, attack power. It is necessary to strive for full equality of all fingers of the right hand, using fingers «p» and «a» not only when playing bass and melody, but also in arpeggio, passaggio technique (in the middle of an arpeggio or passaggio).
- learning to use touches in a high contrast while playing: staccato/legato. This, in my opinion, is extremely necessary to already assimilate at the initial stage of training.
- active use of the alternation in the musical material of open and closed strings. Control over the strength of the sound of open strings, timbre ratio.
- using the high positions of the guitar?s fingerboard with open strings without excessive physical effort .
- rather small size of studies. This allows to concentrate directly on the technical difficulties, rather than on memorizing.
I hope that this collection will help you to achieve the desired result faster and more effectively, will bring not only methodical benefit, but also aesthetic pleasure.
$15.00 ≈
13.99€
Ernesto García de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
Ernesto GarcÃa de León - 20 Estudios (20 Studies), Op. 50 - Collected Works, Volume 2
#
Guitar
#
Studies
#
Ernesto Garcia de Leon
#
Ernesto GarcÃa de León - 20
#
Michael Lorimer Editions
#
SheetMusicPlus
Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editi...
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Composed by Ernesto Garcia de Leon (1952-). 20th Century, Contemporary Classical, Impressionistic. Score. 36 pages. Published by Michael Lorimer Editions
Ernesto García de León's 20 Studies, Op. 50 is an ingenious collection thataddresses fundamental questions about how to develop and maintain guitar technique. It is designed toserve guitar teachers and students as well as performers and concert audiences. Since it explores notjust the technique of our instrument, but its musicaland expressive aspects as well, it makes daily technical work enjoyable, not tedious?even for someone only beginning to study the guitar.
For guitar teachers and students, 20 Studies canserve as a basic curriculum or it can complementother methods or other sets of studies. For performers, it provides a complete overview and tune-up ofthe guitar technique in one graded set of daily studies that can be played in less than half an hour. Thiswarm-up then provides the player delicious concertrepertoire?as the complete set, or in smaller groups,or in combinations with other music by ErnestoGarcía de León.
These musical exercises are also useful to rectify,reform or rehabilitate the guitar technique.
The materials out of which the twenty studies aredeveloped are first idiomatic patterns of the guitarand then the variety of musical styles so appealing toand characteristic of Ernesto García de León. For example, classic examples of the music of theCaribbean coastal basin in general and thecomposer's native state Veracruz in particular appearunvarnished in #12 (a rumba veracruzana) and #20(a son). The other studies blend elements of Mexicanmusic in general?songs of the revolution, nativedances, boleros, children's songs, and so forth?withelements of European classical music, Beatles, NewAge music, jazz and other musical styles, in a wayintended to appeal to the player and to the listener.
As the summary on pages 34 and 35 illustrates,the first sixteen studies explore basic formulas for theright hand. At the same time, they also address thefull range of left hand techniques?including balanceand positioning, independence of the fingers, longitudinal and transversal movements, shifts by substitution, by displacement, by jump, and by positions,barring, stretches and contractions, damping, pivoting, crossed movements, and movements with fixedfingers. The last four studies concern the slur.
Though each of the basic right- and left-hand formulas explored in the twenty studies is relativelysimple in itself, each is a building block of a solidtechnique. Mastery of the complete set of twentystudies?less than half an hour of music?integratesall the formulas and develops the technique to a levelat which an enormous range of the guitar repertoirebecomes available.
$16.95 ≈
15.81€
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
20 Counterparts from Book 1 Rochut Bordogni Duet Accompaniments for Trombones 1-20
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Trombone
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INTERMEDIATE
#
Opera
#
Classical
#
Tom Ervin
#
Marco Bordogni
#
20 Counterparts from Book 1 Ro
#
Gordon Cherry
#
SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual pa...
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Trombone Solo - Level 3 - SKU: A0.811087 Composed by Tom Ervin. Arranged by Marco Bordogni. Classical,Instructional,Opera,Romantic Period. Individual part. 26 pages. Gordon Cherry #5009439. Published by Gordon Cherry (A0.811087). The Rochut editions of Bordogni’s vocalises have become the most widly used etudes in American trombone pedigogy. They are prized for their lyric beauty, and also for their development of endurance, upper range, legato technique, styling and more. Other bass clef instrumentalists use Rochut. These Twenty Counterparts may be practiced and played as etudes alone. They are similar in style to the Bordogni; some are harder and some are easier than the Bordogni originals. But the primary intent was for recreational duet playing and for the trombone studio. Duets are fun and more, contributing to sightreading, intonation, ensemble, style-matching, confidence, independence, etc. As with the piano accompaniments, the duet parts also enhance the original melodies. Read what these famous trombonists have to say about this new contribution to the trombone literature …indisputably one of the most invaluable additions to appear in a very long time. Understanding lyricism is much easier when hearing this second voice. Joseph Alessi, Principal Trombone, New York Philharmonic …fantastic and beautiful. What a great idea! They will give the student a wonderful sense of music-making. Henry Charles Smith, Arizona State University …absolutely ingenious….they capture the essential character of each piece and cleverly expand and enhance the original material. Can be ‘stand alone’ material in its own right. I have already used them successfully on trombone, euphonium, and tuba. Loren Marsteller, Los Angeles An enjoyable new way to play the old favorites. Perform them with friends; record one part and play the other; play them alone…a great idea. Ralph Sauer, Principal Trombone Los Angeles Philharmonic A great book and a great idea! Really valuable; I am using it in my teaching. Jay Friedman, Principal Trombone, Chicago Symphony Orchestra Excellent studies, challenging in all registers, rewarding to play. Ned Meredith, formerly San Francisco Symphony Orchestra A very insightful and fresh approach to the trombone’s most important collection of etudes…destined to become a standard in the trombone literature. An absolute must! Michael Davis, jazz recording artist, New York City The unexpected harmonic progressions are a delight. They work great for euphoniums and for trombone and tuba R. Winston Morris, Tennessee Technological University …similar to the Rochut yet contains challenging rhythmic independence and contrast, increasing the value of ensemble experience. As an aid to duet performance, the measure, staff and page format is arranged the same as Rochut’s Fischer edition. Glenn P. Smith, Professor Emeritus University of Michigan A fine addition to the lyrical literature Charles Vernon, Bass Trombone Chicago Symphony Orchestra They’re not only enjoyable to play, but add some ‘zip’, harmonically, melodically, and rhythmically, to the original melodies. Buddy Baker University of Northern Colorado Compositionally, very interesting, not just a duet in thirds…stylistically appropriate…a great way to begin a lesson. Vern Kagarice, University of North Texas An outstanding idea, very valuable Keith Brown, Indiana University I enjoy the book with my students and then also change parts Carsten Svanberg, Danish National Symphony Orchestra Bravo! They serve a great purpose, very musical and playable. Will become a part of the standard trombone repertoire in a very short time…already part of mine. Jiggs Whigham, Professor of Trombone and Jazz, Cologne Germany
$25.00 ≈
23.32€
Poème
Poème
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Clarinet and Piano
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INTERMEDIATE
#
Zdenek Fibich
#
Wolfgang Birtel
#
Poème
#
Schott Music - Digital
#
SheetMusicPlus
Clarinet in Bb and piano - intermediate - SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This...
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Clarinet in Bb and piano - intermediate - SKU: S9.Q15285 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15285. Published by Schott Music - Digital (S9.Q15285). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.65€
Poème
Poème
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French Horn and Piano
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INTERMEDIATE
#
Zdenek Fibich
#
Wolfgang Birtel
#
Poème
#
Schott Music - Digital
#
SheetMusicPlus
Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edit...
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Horn in F and piano - intermediate - SKU: S9.Q15275 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15275. Published by Schott Music - Digital (S9.Q15275). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.65€
Poème
Poème
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Trumpet
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INTERMEDIATE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
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Trumpet (in Bb) and piano - intermediate - SKU: S9.Q15274 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15274. Published by Schott Music - Digital (S9.Q15274). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.65€
Masters of Russian Composition: Alexander Borodin and Anatoly Lyadov
Masters of Russian Composition: Alexander Borodin and Anatoly Lyadov
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Rovshan Mamedkuliev
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Rovshan Mamedkuliev
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Masters of Russian Composition
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (classical) - Advanced - SKU: M0.30072EB Composed by Rovshan Mamedkuliev. Arranged by Rovshan Mamedkuliev. Solos/Studies, World. European. E-book...
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Guitar (classical) - Advanced - SKU: M0.30072EB Composed by Rovshan Mamedkuliev. Arranged by Rovshan Mamedkuliev. Solos/Studies, World. European. E-book. Mel Bay Publications - Digital Sheet Music #30072EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30072EB). ISBN 9781619114654. 8.75x11.75 inches.This collection contains arrangements by one of the leading guitarists of the new generation, Rovshan Mamedkuliev. Rovshan invites guitar lovers to explore Russian music of the 19th century. Alexander Borodin (1833 - 1887), member of the famous Mighty Handful, wrote his Petite Suite for the piano. The four pieces presented in this collection barely utilize any of the piano's idiomatic techniques. Though unfamiliar to the guitar until the present day, the selected miniatures are wonderfully suited to its technical and timbral capabilities, especially Serenade. Thanks to the clearly defined genre of Nocturne, the vivid imagery of Reverie and the folk colour and bell-like melodiousness of In the Cloister, the four pieces, rich in quality and substance, will be a valuable contribution to the guitar repertoire. Anatoly Lyadov (1855 - 1914) used to joke that he could not stand more than five continuous minutes of music. The genius of musical miniature created his compositions to be laconic and refined in form, simple yet elegant. Lyadov's contemporaries called his pieces tiny pearls of finest finishing and compared the composer himself to a jeweler. His three preludes from op.36, op.39, and op.40, will become a fulfilling experience for the guitarist as the music explores the rich palette of the mysterious Russian soul, ranging from stormy aspirations to dreamlike, elegiac moods - expressed by the composer in but a few sounds.
$14.99 ≈
13.98€
Poème
Poème
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. Thi...
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Saxophone in Eb and piano - intermediate - SKU: S9.Q15272 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15272. Published by Schott Music - Digital (S9.Q15272). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.65€
Poème
Poème
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Cello, Piano
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INTERMEDIATE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition:...
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Cello and piano - intermediate - SKU: S9.Q15267 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15267. Published by Schott Music - Digital (S9.Q15267). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.
$4.99 ≈
4.65€
Poème
Poème
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Violin and Piano
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INTERMEDIATE
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Zdenek Fibich
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Wolfgang Birtel
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Poème
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Schott Music - Digital
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SheetMusicPlus
Violin and piano - intermediate - SKU: S9.Q15318 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition...
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Violin and piano - intermediate - SKU: S9.Q15318 From the Idyll At Twilight. Composed by Zdenek Fibich. Arranged by Wolfgang Birtel. This edition: Sheet music. Edition Schott - Single Edition. Downloadable. Op. 39. Schott Music - Digital #Q15318. Published by Schott Music - Digital (S9.Q15318). The reputation of the Bohemian composer Zdenek Fibich (1850-1900) has always been somewhat overshadowed by that of Bedrich Smetana and AntonÃn Dvorák. This is a pity, for Fibich, though he died young, made an equally important contribution to the emerging Czech national styl with his wide range of compositions. After starting piano lessons with his mother as his first teacher, the boy went on to music school in Prague and then to the Leipzig Conservatoire, where he learned his craft as a composer. He spent a few months teaching piano in Paris and then continued his studies with Vinzenz Lachner in Mannheim. Prague was eventually to become the centre for Fibich's musical activities: as his dream of a post at the Conservatoire remained unfulfilled, his main employment was giving private music lessons and as a composer Zdenek Fibich wrote works for many musical genres: vocal and chamber music, piano pieces and orchestral works, operas, stage music and melodramas, literary recitals with orchestral accompaniment to which he gave a new lease of life. There are biographical traces to be found in the 376 piano pieces of the collection 'Moods, Impressions and Reminiscences' Op. 41, written in 1892-98: this tells of his love for his pupil Anezka Schulzová in the form of a 'piano diary'. Its four volumes were frequently a source of material for other works, such as the symphonic poem 'In the Evening' Op. 39 (also known as 'A Summer's Evening' and 'At Twilight'), written in 1893. For his second subject in this 'Idyll' Fibich used the minature no. 139, entitled 'Lento', from his collection of piano pieces. The violinst Jan KubelÃk played the melody from 1908 onwards with the title 'Poème', and the work is still known today under this title: its easy charm has made it a favourite tune in the classical repertoire. This arrangement is based on the orchestral version from which other material was adapted for the Prelude.Er stand und steht auch heute noch ein wenig im Schatten von Bedrich Smetana und AntonÃn Dvorák: der böhmische Komponist Zdenek Fibich (1850-1900). Zu Unrecht, denn mit seinem umfangreichen Oeuvre hat der allzu früh verstorbene Musiker ebenfalls entscheidend zur Begründung einer nationalen Schule beigetragen.
$4.99 ≈
4.65€
That's a great start
That's a great start
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Trombone and Piano
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EASY
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Hermann Regner
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That's a great start
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Schott Music - Digital
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SheetMusicPlus
Trombone and piano - easy - SKU: S9.Q7088 5 Easy Pieces. Composed by Hermann Regner. This edition: Sheet music. Downloadable. Schott Music - Digi...
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Trombone and piano - easy - SKU: S9.Q7088 5 Easy Pieces. Composed by Hermann Regner. This edition: Sheet music. Downloadable. Schott Music - Digital #Q7088. Published by Schott Music - Digital (S9.Q7088). Apart from numerous publications in the field of music education, the music teacher and composer Hermann Regner (1928-2008) contributed considerably to the brass repertoire, such as material for wind orchestra and wind band. Influenced by his studies with Carl Orff, he paid special attention to the fusion of instrumental education and contemporary music. A matter of particular concern for him was to write practical, easily playable new music for children, young people and amateur musicians - music that takes the technical competence of beginners into account and motivates them to concern themselves with new sounds, rhythms and playing techniques. 'All begins well' is a small collection of easy pieces for trombone with piano accompaniment. The five short pieces are a perfect addition to instrument lessons and 'Jugend musiziert'. The pieces are very melodic, using simple keys (F major, B flat major, E flat major) which are easy to play by the trombone, and they cover a compass from B flat to E flat1.Das fängt ja gut an ist eine kleine Sammlung von leichten Stücken für Posaune mit Klavierbegleitung. Die fünf kurzen Stücke eignen sich hervorragend als Ergänzung zum Unterricht und für Jugend musiziert. Die Stücke sind sehr melodisch und verwenden einfache Tonarten, die für die Posaune gut spielbar sind.
$11.99 ≈
11.18€
Aah! Piano Solo
Aah! Piano Solo
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Piano solo
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INTERMEDIATE
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George Arvola and Virginia Mat
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Virginia Mathews
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Aah! Piano Solo
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George Arvola and Virginia Mathews
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.947531 Composed by George Arvola and Virginia Mathews. Arranged by Virginia Mathews. Instructional,Jazz,Latin. Score. 7 p...
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Piano Solo - Level 3 - SKU: A0.947531 Composed by George Arvola and Virginia Mathews. Arranged by Virginia Mathews. Instructional,Jazz,Latin. Score. 7 pages. George Arvola and Virginia Mathews #2072593. Published by George Arvola and Virginia Mathews (A0.947531). New Release 2016, Intermediate level Latin arpeggio study from Delicious Licorice, a collection of 12 multi-flavoured, fun exercises that sound like repertoire pieces. Aah! is characterised by samba and rumba Latin rhythms. This piano study is suitable for students and schools, dance classes, and as music for piano bars and restaurants. For recordings, go to arpeggioartistry.com and share to facebook if you like what you hear! 6 pages in length, the repeat is written out as an improvisation. Up to tempo, Aah! takes approximately 3 minutes to play. Who thought arpeggios could be this fun? These studies solve the problem of music students not practising their arpeggios. Piano recording coming soon.
$5.99 ≈
5.59€
24 Caprices
24 Caprices
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Viola
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ADVANCED
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Jacques Pierre Joseph Rode
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24 Caprices
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Schott Music - Digital
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SheetMusicPlus
Viola - advanced - SKU: S9.Q7032 In forme of studies, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essentia...
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Viola - advanced - SKU: S9.Q7032 In forme of studies, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essential Exercises. Downloadable. Schott Music - Digital #Q7032. Published by Schott Music - Digital (S9.Q7032). Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from Gaviniès to Dont. Among them is the French violinist Pierre Rode (1774-1839) who added his 24 Capricen in Form einer Etüde für Violine allein to this genre. Even today, they still form part of the indispensable repertoire of violin students, particularly since, notwithstanding the purely technical side, they are also attractive pieces of music. As a teacher at the famous Paris Conservatoire, Rode, together with Pierre Baillot and Rodolphe Kreutzer, laid the foundations for comprehensive violin didactics and methodology: the 24 Caprices are important contributions to this music-educational work. The present new edition is based on the first edition of Paris of 1820, providing the original score, especially two variants of fingering, a 'normal version', and a version specifically designed for small hands. Technical as well as musical challenges make Rode's Caprices a fascinating study and performance object.
$21.99 ≈
20.51€
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New Collection of Studies
